![]() Grant who are massively wasted as afterthought supporting characters while Keira Knightley makes a (bold?) choice with that voice. ![]() The same goes for Eugenio Derbez and Richard E. Morgan Freeman has maybe (maybe) a dayï¿ 1/2(TM)s worth of work in here and Helen Mirren barely registers. Instead of putting in the work to figure out how the story might naturally progress though, and find a resolution that might stress the aforementioned themes it instead hurries through the beats of a discarded YA script to reach an underwhelming and lackadaisical finale. ![]() ![]() The fact the film starts off strong enough and initially feels as if it might become as immersive as the very expensive digital effects and fantastical sets make it seem to be it very quickly devolves into a stilted narrative that often times feels as if it too still has to work out the plot. It is in this regard that itï¿ 1/2(TM)s hard to come down on The Nutcracker and the Four Realms in any real harsh way. Our protagonist, Clara (Interstellarï¿ 1/2(TM)s Mackenzie Foy), is meant to learn lessons about and the differences between trust and responsibility as well as deception through this journey she has to commit to completing on her own and though these may feel like terribly trite lessons, there is something to be said for the fact that sometimes all people need for you to do is trust in yourself and hold strong to your ideals. It is once the parameters of the plot are defined and the characters all established that things become all the more predictable the motivations of the characters and the lessons intended to be taught all equally as obvious. I wonï¿ 1/2(TM)t sit here and pretend I know all there is to know about classic Hollywood musicals or ballet productions and make comments on how Hallström uses there influence to craft his visuals, but I will say that thousands of life-size mice forming together in constant motion to create one big Mouse King is absolutely terrifying and also rather visually inventive too. I say Hallström is a director-for-hire because thatï¿ 1/2(TM)s what it feels like at this stage in his career and with this type of project, but as one can tell from the manï¿ 1/2(TM)s past credits this is not a single-faceted filmmaker and thus there are some very cool, very classic choices in terms of style as not only does the film pay homage to large ballet productions, but to the golden-age of movie musicals as well. Without so much as breaking a sweat the film instinctively provides this necessary aura of Christmas warmth. The fact it clocked in at a brisk 90-minutes didnï¿ 1/2(TM)t hurt either.Īnd for the first half hour or so I was on board with what both the Mouse House and director-for-hire Lasse Hallström (Whatï¿ 1/2(TM)s Eating Gilbert Grape, The Cider House Rules) were doing and seemingly wanted to do. This, coupled with the fact it might be nice to get a break from what might have otherwise been another ï¿ 1/2live-actionï¿ 1/2Â? re-imagining of one of my childhood classics made for a fair amount of-I wonï¿ 1/2(TM)t say excitement, but eagerness on my part. You know, being fed classic literature through the guise of Walt Disneyï¿ 1/2(TM)s interpretation and being spared any gory or potentially upsetting details in favor of being sent home with a belly full of sentimental, if not substantial, satisfaction. If nothing else, I thought The Nutcracker and the Four Realms might make me feel like a kid again. Backed by the regents of the other realms-the Land of Sweets, the Land of Snowflakes, and the Land of Flowers-Clara, with the help of Nutcracker Captain Phillip ( Jayden Fowora-Knight) resolves to retrieve a special key that will help bring peace to the land.Not being overly familiar with the German story from which the famous ballet drew its inspiration I was completely game for this Disneyfied version of The Nutcracker story. However, the Four Realms are in trouble due to the threat of Mother Ginger ( Helen Mirren), who previously oversaw the Land of Amusements. When it comes time for the kids to look for presents, Clara’s search takes her into the Four Realms, a kingdom her mother imagined with such depth and detail that it literally sprung to life. As their father ( Matthew Macfadyen) grieves, the family, which also includes Clark’s brother Fritz ( Tom Sweet) and sister Louise ( Ellie Bamber) try to hold it together at a holiday party thrown by Clara’s inventive godfather Drosselmeyer ( Morgan Freeman). The story follows Clara Stahlbaum ( Mackenzie Foy), an incredibly intelligent young woman who has recently lost her brilliant mother.
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